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中華思想文化術語81條 (古文今譯,中文英譯),是中國國家教育部推出的一項重點圖書工程。“中華思想文化術語傳播工程”(以下簡稱“工程”)的設立旨在梳理反映中國傳統文化特征和民族思維方式、體現中國核心價值的思想文化術語,用易于口頭表達、交流的簡練語言客觀准確地予以诠釋,在政府機構、社會組織、傳播媒體等對外交往活動中,傳播好中國聲音,講好中國故事,讓世界更多了解中國國情、曆史和文化(http://www.xinhuanet.com/book/zhuanti/zhsxwh/zt1.htm)。

“中華思想文化術語傳播工程”專家委員會及學術委員會,成員由哲學、文學、藝術、史學和海外漢學等學科領域具有國際影響力的知名專家學者擔任。 美國書畫藝術研究院顧問兼藝術評論委員會主任 于文濤先生作為專家委員會成員,參與了其英文終審工作。美國書畫藝術研究院 經授權在美國獨家發布(將陸續登出)

“Key Concepts in Chinese Thought and Culture (81 pieces)” is an important Book Project disseminated by Ministry of Education of the People’s Republic of China. The setting of “Disseminating Key Concepts in Chinese Thoughts and Culture Project” aims to organize key concepts which can reflect the features of Chinese classical culture and the way of national thinking, and can perform Chinese core values, explain and translate objectively and accurately in concise language which is easy to exchange verbally. By this way, chinese voice and stories will be disseminated in international exchanges, that the condition and history of China will be known better by people in the world.

The specialists committee of the project consist of international well-known specialists and scholars. Senior adviser and Art Review Commission of America Arts Research Institute (AARI), Mr. Yu Wentao took part in the review for the final English version. With the authorization, AARI is going to publish the 81 pieces of Key Concepts in Chinese Thought and Culture here.

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Author Topic: 21, 格调, Form and Melody
caaausar

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Post 21, 格调, Form and Melody
on: November 5, 2015, 13:49
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格调, gediao (Form and Melody)

指诗歌的体制声调,包括思想旨趣和声律形式两方面,涉及诗歌批评的品味与境界。“格”指诗歌的体制合乎规范;“调”指诗歌的声调韵律。唐宋时期的一些诗论家倡导格调,意在确立诗歌的雅正标准。明清以后的格调说,多强调作品应符合儒家正统思想,这影响了诗人的情感表达与艺术创作。“格调”后来也用到其他文艺领域。

The term refers to the form and metrical patterns, as well as content, of poetry. It relates to artistic taste and appeal in poetry criticism. Ge(格) refers to the need to satisfy established metrical rules, while diao(调) refers to the need to follow tone and rhyme schemes in poetry. Some poetry critics of the Tang and Song dynasties stressed the importance of from and melody in order to establish a set of elegant and authoritative standards for poetry. Theory on form and melody in the Ming and Qing dynasties often emphasized the importance for poets to abide by Confucian orthodoxy, thus constraining their expression of feelings and artistic creations. The term was later also used in discussions of other forms of art.

例句 Examples:

高古者格,宛亮着调。(李梦阳《驳何氏论文书》)
(高雅古朴就是“格”,婉曲清亮就是“调”。)
To be elegant and unaffected is to satisfy the requirements of form; to be tuneful and resonant is to follow the fules of melody. (Li Mengyang: Arguments Against He Jingming’s Views)

白石词以清虚为体,而时有阴冷,格调最高。(陈廷焯《白雨斋词话》卷二)
(姜夔的词以清新虚空为主要特色,虽然有凄清冷寂的地方,但格调最高。)
Jiang Kui’s poems are characterized by ethereal purity. Though tinged with loneliness and sadness at times, they are of high standard and taste. (Chen Tingzhuo: Remarks on Lyrics from White Rain Studio)

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